Lost in the Funhouse is a collection of loosely connected short stories that was originally published by John Barth in 1968. These postmodern stories examine the art of fiction writing, among other things, and seem to undermine the conventional and predictable nature of fiction. In the fourteen stories, Barth presents a literary "funhouse," a dense maze that weaves in and out o...(展开全部)

Lost in the Funhouse is a collection of loosely connected short stories that was originally published by John Barth in 1968. These postmodern stories examine the art of fiction writing, among other things, and seem to undermine the conventional and predictable nature of fiction. In the fourteen stories, Barth presents a literary "funhouse," a dense maze that weaves in and out o...(展开全部)

Barth's lively, highly original collection of short pieces is a major landmark of experimental fiction. Though many of the stories gathered here were published separately, there are several themes common to them all, giving them new meaning in the context of this collection.

To women the world over, perfume means glamour, and in the world of perfume, Jean-Claude Ellena is a superstar. In this one-of-a-kind book, the legendary Ellena himself takes the reader through the doors of his laboratory and explains the process of creating precious fragrances, revealing key methods and "recipes" involved in this mysterious alchemy. Perfume is an extremely com...(展开全部)

The history of art from the early nineteenth century onward is commonly viewed as a succession of conflicts between innovatory and established styles that culminated in the formalism and aesthetic autonomy of high modernism. In "Art and Crisis", first published in 1948, Hans Sedlmayr argues that the aesthetic disjunctures of modern art signify more than matters of style and poi...(展开全部)

The history of art from the early nineteenth century onward is commonly viewed as a succession of conflicts between innovatory and established styles that culminated in the formalism and aesthetic autonomy of high modernism. In "Art and Crisis", first published in 1948, Hans Sedlmayr argues that the aesthetic disjunctures of modern art signify more than matters of style and poi...(展开全部)

"Lost in seeing" covers a thirty-year journey through the changes of the Italian scene.Mimmo Jodice, one of the greatest Italian photographers, offers unexpected visions and unseen things, famous places and territories of the imagination. He crossed Italy from the north to the south in his modern Grand Tour, drawing a comprehensive portrait of striking images. Jodice's magical ...(展开全部)

• How many smells are there? And how many molecules would it take to create every smell in nature, from roses to stinky feet? • Who was the bigger scent freak: the perfume-obsessed Richard Wagner or Emily Dickinson, with her creepy passion for flowers? • By scenting the air in stores, are retailers turning us into subliminally controlled shopping zombies? • Were Smell-O-Vision ...(展开全部)